![]() ![]() Algernon Baughan Article Metrics Get access Cite Extract I propose to-night to trace the development of opera in broad outlines, not so much from a musical as from a dramatic point of view. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. The Development of Opera Published online by Cambridge University Press: 01 January 2020 E. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The word opera means works in Italian (from the plural of Latin opus meaning work or labour) suggesting that it combines the arts of solo and choral. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. Included in her focus are the academic critics who denounced the failure of opera to comply with universally valid standards of beauty and the rules of drama the various sermonizers who condemned opera’s excessive emphasis on the senses and preached total abstinence and the theatrical artists and patrons as well as the innumerable poets, philosophers, and writers who upheld the freedom to experiment and defended opera as a modern theatrical form with nearly unlimited artistic possibilities.Īs a result of these controversies, the defense of opera helped to shape a distinctively German version of the classical ideal, enriched German criticism with new vocabulary, promoted the study of the performing arts, and emphasized music and spectacle as essential components of theater. The author provides a comprehensive treatment of the writings both for and against the operatic forms that dominated seventeenth- and eighteenth-century German theater. Beginning with this observation, Gloria Flaherty tries to show how, from its very inception and through most of its history, opera was related not only to the revival of ancient drama and the evolution of modern theater, but also to the development of modern critical thought. Both the topic and medium of the final project will be determined by the student under the guidance and approval of the professor (parameters of the final project are addressed in further detail on the syllabus).Although opera figured importantly in the French quarrel of the Ancients versus the Moderns and in the English discussions of heroic tragedy, it was in Germany that its role in the development of criticism and aesthetics was most pronounced. As emphasis is placed on opera as a multidisciplinary theatrical experience, all aspects of its execution-from composition to staging to management to distribution-will be addressed and offered as subjects for students’ final projects. While today we may think that opera has been around since women in horned helmets first learned to sing, it really is a product of the Renaissance. Students will also be required to submit and briefly present a final project on the last day of class. Weekly writing assignments addressing these live performances and required reading/listening/viewing selections will be expected to integrate concepts and analytical methodology addressed in class. In addition to providing an historical overview of forms and practice, this course will require students to see several live opera performances. The concept developed during Renaissance Italy, in Florence, when a number of artists, musicians, and writers, along with eminent personalities of the time. Regular trips will address and expand upon material introduced during class lectures, and attendance is required. Reading will include dramatic texts and theoretical essays (both contemporaneous and contemporary) as it will be discussed in class, required reading, viewing and/or listening assignments are to be completed prior to class lectures. Opera as a performance form will be analyzed in context of pervasive socio-political, artistic, architectural, and musical climates at various stages of its development. This is a survey of the history of opera from the Romantic period to the present. A group of Florentine intellectuals called the Camerata decided to recreate the original form of Greek drama which they wrongly believed to have been sung throughout and one of them, Jacopo.
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